Goldman, Fünf vor Zwölf
The Art of unionität
Ardi Goldman
Fünf vor Zwölf
For those who can recognize when time is a sign.
„Sometimes things find their place — not because we look for them, but because they call to us."
The Union clock came from Zurich. She Ardi Goldman discovered it at the brocanteur — an old Swiss railway clock that had stood for punctuality, reliability, and tact for decades. It had served its purpose. And it had stood still.
At five past twelve.
At five past twelve.
„Is five before twelve the end — or is it the beginning?“
A Closer Look at the Work
The watch is real. It is an industrial product and a testament to time. Its movement is precise, its dial clear. But at some point something happened — and it stopped. Not at midnight. Not at the full hour. But at five past twelve.
A coincidence? Or a parable? This watch could no longer be reset. And perhaps it didn’t want to be reset either. For it carries within itself a question that is greater than itself: Swiss precision — and a moment of openness that eludes any timetable.
Photos: © Stefan Gröpper
Ardi Goldman Kunst-
und Kulturstiftung gGmbH
Uniongelände
Hanauer Landstraße 188, 60314 Frankfurt am Main